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===Pagg. 27 e 28===
===Pagg. 27 e 28===
Pagine dedicate alla traccia trumentale "[[The In-between/it|The In-between]]", nelle quali viene riportata una nota della band:
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{{quote|Like the reminiscence of Whisper in the Overture, this piece begins with slowly evolving memories of songs that didn't make their way onto Synthesis in full. (See of you can guess which.) The repeated note in the low register of the piano that begins in the second half of the piece goes from being on the downbeat, to the upbeat when the melody jumps in between the notes, and becomes the dominant part, defining the repeated note as the pedal point. So the title of the piece refers not only to the fact that it is an instrumental that comes in between two songs, but also that the melody lives, somewhat unexpectedly, in between those repeated notes. - Many thanks to AllyEv, on Twitter, for helping with this!}}
{{quote|Like the reminiscence of Whisper in the Overture, this piece begins with slowly evolving memories of songs that didn't make their way onto Synthesis in full. (See of you can guess which.) The repeated note in the low register of the piano that begins in the second half of the piece goes from being on the downbeat, to the upbeat when the melody jumps in between the notes, and becomes the dominant part, defining the repeated note as the pedal point. So the title of the piece refers not only to the fact that it is an instrumental that comes in between two songs, but also that the melody lives, somewhat unexpectedly, in between those repeated notes. - Many thanks to AllyEv, on Twitter, for helping with this!}}
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{{quote|Like the reminiscence of Whisper in the Overture, this piece begins with slowly evolving memories of songs that didn't make their way onto Synthesis in full. (See of you can guess which.) The repeated note in the low register of the piano that begins in the second half of the piece goes from being on the downbeat, to the upbeat when the melody jumps in between the notes, and becomes the dominant part, defining the repeated note as the pedal point. So the title of the piece refers not only to the fact that it is an instrumental that comes in between two songs, but also that the melody lives, somewhat unexpectedly, in between those repeated notes. - Many thanks to AllyEv, on Twitter, for helping with this!}}
{{quote|Like the reminiscence of Whisper in the Overture, this piece begins with slowly evolving memories of songs that didn't make their way onto Synthesis in full. (See of you can guess which.) The repeated note in the low register of the piano that begins in the second half of the piece goes from being on the downbeat, to the upbeat when the melody jumps in between the notes, and becomes the dominant part, defining the repeated note as the pedal point. So the title of the piece refers not only to the fact that it is an instrumental that comes in between two songs, but also that the melody lives, somewhat unexpectedly, in between those repeated notes. - Many thanks to AllyEv, on Twitter, for helping with this!}}
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===Pagg. 29 e 30===
===Pagg. 29 e 30===
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Revision as of 11:50, 1 April 2018

'Synthesis Live Book
Copertina del libro
Pubblicazione

2018

Casa editrice

Synthesis Live Book is available in english. See the article

Synthesis Live Book está disponible en español. Ver el artículo

Το άρθρο Synthesis Live Book είναι διαθέσιμο στα ελληνικά. Δείτε το άρθρο

Synthesis Live Book está disponível em português. Ver o artigo


Opuscolo di 30 pagine venduto durante il Synthesis Tuor, nonché programma dell'evento con tutti i testi delle canzoni presenti sull'album e alcuni commenti della band.

Contenuti

Copertina

Copertina completamente nera in cui è impresso il logo del tour: il logo "e" in versione tridimensionale della band (stampato con effetto argento riflettente) attraversato da uno sciame di falene. In basso viene riportato in caratteri argentati riflettenti la scritta "SYNTHESIS LIVE".

Pagg. 1 e 2

Pagine introduttive in cui viene riportata la track-list dell'album Synthesis (a sinistra) e una fotografia della band al completo (by P.R. Brown)

Pagg. 3 e 4

Pagine dedicate rispettivamente a "Overture" e "Never Go Back", di cui viene riportato anche il testo. Appaiono le immagini di una testa di gazzella (sinistra) e di Amy in sottofondo (destra). Questa è la nota che viene riportata sotto la traccia "Overture":

That progression includes bits from some of our earliest music, including Whisper, which was one of the first songs we ever recorded and anyone ever heard from us.
That progression includes bits from some of our earliest music, including Whisper, which was one of the first songs we ever recorded and anyone ever heard from us.

Pagg. 5 e 6

Pagine dedicare a Lacrymosa, dove oltre al testo viene riportata una nota della band:

This song, from our second album, The Open Door, is built around the classic Lacrimosa from Mozart's Requiem K.626. Mozart's music is one of the inspirations of our sound, and this is our homage.
This song, from our second album, The Open Door, is built around the classic Lacrimosa from Mozart's Requiem K.626. Mozart's music is one of the inspirations of our sound, and this is our homage.

Pagg. 7 e 8

Pagine dedicate a The End Of The Dream, nelle quali viene riportato il testo della canzone.

Pagg. 9 e 10

Pagine dedicate a "My Heart Is Broken". Oltre al testo viene riportata una nota della band:

This song was bor from a drum loop...
This song was bor from a drum loop...

Pagg. 11 e 12

Pagine dedicati a "Lithium", nelle quali viene riportato il testo della canzone.

Pagg. 13 e 14

Pagine dedicate rispettivamente a "Bring Me to Life" e "Unraveling". Oltre al testo di "Bring Me to Life", viene riportata una nota della band dove si spiegano le origini della traccia strumentale "Unraveling":

This is the first piece of music written specifically for Synthesis. It is inspired by the dream-like, upwards climbing in the middle section of the first movement of Beethoven's Moonlight Sonata.
This is the first piece of music written specifically for Synthesis. It is inspired by the dream-like, upwards climbing in the middle section of the first movement of Beethoven's Moonlight Sonata.

Pagg. 15 e 16

Pagine dedicate a "Imaginary. In queste, oltre al testo della canzone viene riportata una nota della band che piega quanto questa traccia sia stata importante e rappresentativa per la band:

This song is special for a lot of reasons. One of our oldest compositions, it's part of the exploration that shaped the core sound of Evanescence. It has never once left the live setlist.
This song is special for a lot of reasons. One of our oldest compositions, it's part of the exploration that shaped the core sound of Evanescence. It has never once left the live setlist.

Pagg. 17 e 18

Pagine dedicate a "Secret Door", nelle quali venere riposato il testo della canzone.

Pagg. 19 e 20

Pagine dedicate a "Hi-Lo". In queste oltre ad essere riportato il test della canzone, vi è una nota della band che spiega la genesi della traccia:

After 10 years in the vault it is our pleasure to finally bring this song into the light. It was the first creative collaboration with Will Hunt (Spaceway), Synthesis producer and programmer. After a decade of not quite fitting in, it finally found its rightful home on this project.
After 10 years in the vault it is our pleasure to finally bring this song into the light. It was the first creative collaboration with Will Hunt (Spaceway), Synthesis producer and programmer. After a decade of not quite fitting in, it finally found its rightful home on this project.

Pagg. 21 e 22

Pagine dedicate a "Lost in Paradise", nelle quali viene riportato il testo della canzone.

Pagg. 23 e 24

Pagine dedicate a "Your Star", nelle quali viene riportato il testo della canzone.

Pagg. 25 e 26

Pagine dedicate a "My Immortal". Oltre al testo viene riportata una nota della band:

This is one of the first songs...
This is one of the first songs...

Pagg. 27 e 28

Pagine dedicate alla traccia trumentale "The In-between", nelle quali viene riportata una nota della band:

Like the reminiscence of Whisper in the Overture, this piece begins with slowly evolving memories of songs that didn't make their way onto Synthesis in full. (See of you can guess which.) The repeated note in the low register of the piano that begins in the second half of the piece goes from being on the downbeat, to the upbeat when the melody jumps in between the notes, and becomes the dominant part, defining the repeated note as the pedal point. So the title of the piece refers not only to the fact that it is an instrumental that comes in between two songs, but also that the melody lives, somewhat unexpectedly, in between those repeated notes. - Many thanks to AllyEv, on Twitter, for helping with this!
Like the reminiscence of Whisper in the Overture, this piece begins with slowly evolving memories of songs that didn't make their way onto Synthesis in full. (See of you can guess which.) The repeated note in the low register of the piano that begins in the second half of the piece goes from being on the downbeat, to the upbeat when the melody jumps in between the notes, and becomes the dominant part, defining the repeated note as the pedal point. So the title of the piece refers not only to the fact that it is an instrumental that comes in between two songs, but also that the melody lives, somewhat unexpectedly, in between those repeated notes. - Many thanks to AllyEv, on Twitter, for helping with this!

Pagg. 29 e 30

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Copertina

Note

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